Posts Tagged ‘The Butcher Boy’

11th Decade Roundup!

It’s that time of my reading life again, where I review the last ten books I read, pretend I can remember them all, and then take stock of what happened. It’s also that time of my blogging life where I’m incredibly frustrated because WordPress has eaten three of my blog posts in the last two days. C’mon, guys, get it together.

This was a pretty good batch of books. It was a good mix of books I knew I’d enjoy, books that were just enough of a digression from my usual taste to be a challenge without being annoying, and books that I really liked but never would have read otherwise. It’s pretty much what you’d want in a book grouping.

I started out with What I Loved, which was fine while I was reading it, but very much on the “meh” portion of the scale. It wasn’t awful but I didn’t love it. I’m glad I read it, I suppose, but I doubt I’ll read it again. Another book in the category of, “glad I read it, now let’s move on” was The Girls of Slender Means. It was more enjoyable than I expected it to be, but I’d be surprised if I ever revisited it.

Then there were the books about two very different boys who were actually pretty similar, in some ways. Huck Finn is always a classic, and if you dialed up Huck’s delinquency and sense of adventure and combined it with a bit of crazy, you’d have Francie Brady of The Butcher Boy

Margaret Atwood’s Cat’s Eye was a bit of an emotional read, but it was okay because it was followed by two zany books by Douglas Adams. It’s always fun to revisit Dirk Gently and his friends, and it’s even more fun to try and explain what you’re reading to people who don’t know Douglas Adams.

Finally, I was thoroughly sickened and shocked by Lolitabefore being captivated by some Murakami magic in Kafka on the ShoreI rounded out the bunch with the amazing Kurt Vonnegut’s Breakfast of Champions. I think Vonnegut is swiftly becoming one of my favorite authors.

My favorite book out the batch was definitely Breakfast of Champions. Vonnegut knows how to spin a phrase and play with language at least as well as Douglas Adams does, but there’s something about the way he weaves chaos through order and brings crazy insights into his work that I adore.

The reward for biggest shock goes to Lolita. I went in with bravado thinking that I was prepared and certainly wouldn’t be shocked like all those prudes who are sickened by books about sex. I was wrong.

And the book I liked the least was probably What I Loved. Like I said, it’s not that I didn’t like it, it’s just that it didn’t do anything for me. Not every book can.

Now I’m off to (hopefully) catch up on my post for the next book, House of Leaves, assuming WordPress stops eating my posts.

Book #107: The Butcher Boy

Oh man. Oh. Man.

Patrick McCabe’s The Butcher Boy details a young killer’s descent into madness. It’s narrated by the teenaged Francis Brady, usually known as Francie. Francie grew up in a small Irish town with his mother and father, and he’s just a wee bit nuts. If you combined Norman Bates and Huckleberry Finn, you’d probably wind up with Francie Brady. If that’s not enough to interest you in reading this book, I’m not sure what to tell you.

Francie is an interesting narrator because he can seem so sane and rational, especially in the beginning, but then you slowly realize that this kid is fucking crazy.

He’s definitely a flawed narrator – he’s telling this story years later after he’s been convicted of murder – but his voice is so interesting. I found myself alternately hating him, being terrified of him, and feeling profoundly sorry for him.

It quickly becomes clear that Francie is not well and needs help, but there’s not really any help to be found. The twists and turns the narrative takes and the way Francie’s voice shifts and changes as the story progresses makes The Butcher Boy compelling and interesting the whole way through. You don’t really have time to get bored or look away or even get complacent.

The way the story unfolds and the changes in Francie’s voice as he gets closer and closer to recounting the actual murder and events that followed is so compelling. I really, really liked this book, even though it was pretty disturbing.

Rating: ****
Up Next: Lolita

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